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Showing posts with label Adsence. Show all posts
Showing posts with label Adsence. Show all posts

Tuesday, December 12, 2006

Click Fraud: Tail Between the legs

Adsence, Google’s arm of making money by putting advertisements on blogs, has come under fire from advertisers, yet again. Adsence, is based on the simple, ‘pay per click’ model: advertisers pay the blogger, only if someone clicks on an add placed by them on the blogger’s site. This revenue model has become especially popular, because it guarantees that a consumer has reacted to the advertisement, such a guarantee of ‘eye balls’ or possible consumer attention, is not possible on other forms of media, such as TV, radio or newspaper.

However there is a flaw in the system. The click by a possible consumer, generates revenue for the blogger, but it does not guarantee that the consumer will buy something form the advertiser. This is what has led to click fraud, the blogger (his/her friend, or a computer program) clicks advertisements on his own blog, generating revenue for himself, but no business for the advertiser. Also, certain advertisers place Adsence adds by paying Google a certain deposit amount. Each time someone clicks on their advertisement, a small part of the amount is deducted by google. Thus click fraud, can be done by repeatedly clicking on a competitors add, thus exhausting his deposit with Google. It’s obvious, why advertisers are angry: no one wants to pay for an advertisement that does not increase revenue.

The advertisers are now demanding that they are given information on the clicks on their ads. Google has announced that it will refund advertisers who can prove that their ads were ‘fraud’ clicked. Yet, if Google decides to share click information with advertisers, (Technocrati, a blog directory has already started such a process), the concept behind Adsence may take a beating. This is because; advertisers will only place ads on blogs that generate enough traffic to support their advertisement investment. The result, blogs that deal with ‘non mainstream’ or ‘non popular’ subjects will fall out of favour with advertisers. Revenue generated by blogging will get concentrated in the hands of the remaining mainstream blogs, those dealing with other popular media, such as popular music, books etc. Thus, it is probable (not just possible) that very soon, blogging will also be forced to adhere to market trends, that have already tamed other media.

So, what is the real issue? Adsence was supposed to make revenue from many blogs that catered to niche audiences (long tail audiences) and not a few blogs that catered to the ‘lowest common denominator’ content. The release of advertising click data will ensure that diverse blogs, with uncommon topics of interest, become bottled into already trusted interest areas: more blogging on what celebrities were wearing, instead of ‘hard’ matter.

A new model, ‘pay per purchase’ has been devised, it will generate revenue for the blogger only if the consumer buys the advertiser’s ware after clicking on the advertisement placed on the blog. However this model will not be profitable for majority of bloggers. Also, why must bloggers loose out, if the consumer does not buy? After all TV channels do not refund the advertiser’s money, if their ad campaign does not increase revenue for their company. Unless a new model, which takes the advertisers and the blogger’s concerns, is developed, the first war between Long Tail and conventional advertising will continue.

Link: The Biz of Coding

Monday, December 11, 2006

The Long Tail: Making Sence of Adsence

Ever searched for a particular CD, but realised that no music store carried it? Ever looked for that particular author, but could some how, never find that book he wrote? Ever thought why certain news stands don’t carry the magazines you like? Ever wondered why you never get that particular software, the shops never sold it? It’s not uncommon that during your daily sojourns through market places, the commodity that you want is missing from shelves and ‘popular’ thought.
That’s exactly what Chris Anderson, calls the ‘the tyranny of lowest- cost- denominator fare’. In the of world retailing, a particular product can survive on shelves only if, the revenue generated by selling of the product, can pay for the shelf space. Media, whether its text based, acoustic or visual, suffers the most from this effect. As a result, a theatre shows a movie only if there are approximately 1500 people willing to watch it in a two week span, a CD is available only if two copies of it are sold in a month. As consequence, products that cannot make the required revenue fade away from selves. The consumer is forced to buy products that are available, not the products that he or she would ideally like to purchase.
This is where ‘long tail’ steps in. Purchasing, follows a very common statistical phenomenon, a few ‘titles’ (music, books or software) sell a lot, while a large number of ‘titles’ are rarely bought. This can be seen from the graph, where the red area, represents the titles that are purchased the most, while the trailing yellow part of the graph show the titles that are rarely bought. This trailing part of the graph is called ‘the Long Tail’. In the average physical model of retailing, the store will only carry products that lie in the darker area of the graph, as more people will buy those products and hence the revenue generated through their sales will be able to pay for the shelf space occupied by them.
In a physical store, area is limited; hence the shelf space is limited. The shelves will then be filled by products that are ‘popular’ (or lowest-common – denominator). But what if the self space is made limitless? In that case, the shop will be able to carry almost every title that has ever been released. It can potentially carry ‘popular’ products and ‘niche’ products, that is, products that you want but are not generally available. As a result the shop will be able to cater to all sorts of personal choices and likings. Anderson postulates that, if every one is able to get access to the title he or she wants, then, the number of titles sold in the ‘long tail’, could be more than the number of ‘popular’ title sales.
This reverses the traditional business model, where what sells is sold, instead everything can be sold now. But where can we get ‘unlimited’ shelf space? Unlike traditional shops, the internet does not have any constraint on the ‘shelf space’, there are no physical shelves. All the online retailing sites are an example of this. The site carries titles that are available, the buyer, just has to search and click to get what he wants. The title is physically kept in a warehouse, where the entire area is used for storage. Once the consumer has made his choice and paid through his credit card, then the title is sent to him or her.
This model is still constrained by the warehouse space and till now is being used for physical commodities, like paper backs and CDs. For mp3 music or ebooks, the situation becomes even simpler; the original file is stored on a server from which a copy is sent to the buyer. Server space can hold lot more data (music, movies etc) than a physical shop can. Thus a consumer can get any title he or she is looking for.
Yet one major problem still remains: how do you inform the user that the title that he wants, or one that he would like, is available on a particular site? This what computer programs, like ‘Adsence’, do. Every retail site has a list of titles that is generated once the consumer has selected the ‘title’ he or she wants. This list contains titles ( usually ‘people who searched for the title user has chosen, also chose this’ or simply, ‘other titles’) that the site has, which could interest the buyer. This model of retailing is what has skyrocketed the sales of websites like amazon.com (books) and rhapsody.com (music).As Anderson says “the cultural benefit of all this is much more diversity, reversing the blanding effects of a century of distribution scarcity, and the tyranny of the hit”. Welcome to an era free from market’s dictates of what’s ‘popular’ and available and what’s not.
Link: The Long Tail
Link: Chris Anderson